Creativity Step-By-Step

Design has always been one of my biggest challenges in woodworking.  To be frank, I didn’t know how to create my own designs.  I’m always amazed by the innovative designs of other woodworkers, but aside from copying, creating my own designs seemed beyond my capacity.  How do I begin to create a vision?  Where would I get ideas?  And how might I create something that is coherent, makes sense, has “style”?

I faced this very challenge in building a Greene & Greene pantry shelf.  Not knowing how to start, I searched my library of woodworking books for something I could copy, my then-standard design methodology.  I found one example that used retaining rods to hold cans on its shelves.  While I liked that feature, I thought the shelf lacking in style.  Wanting something more, I decided to turn that design into something more to my taste.

I started out with certain functional requirements in mind: it needed shelves—about five seemed right, varied in height to fit differently-sized cans and boxes.  I wanted to use retaining rods to keep the goods from tumbling to the floor.  It needed to be a size and shape that would fit on the back of my pantry door, its intended destination.  With these features in hand, I had my functional objectives.

Now for dimensions.  I decided to use whole number proportions, as advocated so convincingly by Jim Tolpin and George Walker.  I settled on a 2:3 ratio for the main case: 24 X 36 inches.  I added top and bottom decorative rails, each 3 inches high, as punctuation.  This gave me the proportions for the piece.

Then, with the functions and shape established, I considered how to build in some style.  I’ve always liked the harmony and freshness of the Greene & Greene style and decided to apply it.  The Greene & Greene idiom includes many elements that are variably applied across its many exemplars.  I chose to use some of the more familiar ones: reveals, cloud lifts, ebony plugs and inlays and finger joints.

The result, I think, was a success.  Rather than hang the shelf on the back of the pantry door where it would be hidden from view, my wife and I decided it merited a more prominent spot on the kitchen wall.

Building the shelf taught me an important lesson—that the ability to develop my own designs lies within me.  Unwittingly, perhaps, I had established a methodology for creating interesting and possibly unique designs for pieces yet to be built. 

My methodology is a three-step process.  First, establish the functional requirements for the piece, be it a table, chair or casework.  What is it meant to do and what features does it need to have to accomplish its function?  Second, develop harmonious proportions and apply them to the functional design.  Whole number proportions are a good starting point, though alternatives such as the Fibonacci number are worth considering when appropriate.  Then, with the functions and proportions established, apply a design idiom.  There are many choices besides Greene & Greene; Arts & Crafts, Shaker, Chippendale and Queen Anne come to mind, among many others.

This three-step methodology will take me a long way toward creating pieces that satisfy my desire to build interesting furniture.  But even so, because it relies on existing idioms for stylistic treatment, it’s still limiting.  What if I want to take my designs to the next level and create my own idiom?  Where can I look for inspiration, for potential design elements?  One source is natural forms, such as the curvature of petals, leaves or limbs.  Another is the proportions and shapes of the human body.  Architectural and design movements from the past, such as Art Deco and Art Nouveau, are yet another possibility.

The Greene & Greene pantry shelf project taught me a lot.  All along, I’d been thinking of creativity as a light bulb suddenly illuminating the dark.  But it’s not.  It’s clear now that creativity is a process.  My experience in designing the pantry shelf led me to formulate a set of step-by-step rules I can follow to pursue creativity.  Now a whole world of new possibilities lies before me.  What can I design and build next?  I can hardly wait to get started.

Published by Norman Reid

I worked for the U.S. Department of Agriculture for 27 years in the field of rural community and economic development. I retired a few years ago and have been devoting my time to photography and writing. I've been a semi-pro photographer for more than 25 years and sell my work on the Web. I live in rural Virginia not far from the Shenandoah Valley.

3 thoughts on “Creativity Step-By-Step

  1. This is good. And don’t stop try something new. Have you tried wood tree design? Like some living room decorations. I’m just saying. You have talent. ❤️

    1. Thanks! No, I’ve not tried that design. Right now I’m concentrating on making a series of small boxes for gifts and possible sales. They present their own design opportunities, since they can be of varying sizes, colors, and use many different materials. They are fun to build, though challenging at times.

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